Lebanese Filmmaker Pam Nasr Film ‘Clams Casino’ Is About Eating Online!


A still from the short film ‘Clams Casino’. (Supplied)

“When we see something strange, if we’ve never been exposed to anything like it, we tend to push it away. But I was really interested in this phenomenon.

There was so much to discover about it, and I was attracted to the human aspect of why people partake in it and why it’s so popular. Like, why does it exist?”

A still from the short film ‘Clams Casino’. (Supplied)

Lebanese filmmaker Pam Nasr is talking about mukbang — a craze that began in South Korea and is basically a live stream of someone eating a large amount of food. Nasr’s first film, a short called ‘Clams Casino,’ which premiered in the region in Dubai last month, is based around the phenomenon. A young woman who lives with her mother, with whom she has a difficult relationship, spends hours collecting seafood, cooking it, setting it out beautifully on the table, and dressing up in order to eat it in front of a webcam.

“It stems from loneliness,” Nasr says. “Mukbang is kind of a solution to loneliness, and — at the same time — these performers make a lot of money from eating online.”

While some viewers, she says, are watching for fetishistic reasons, most “watch it because they’re lonely and they want to have someone to eat with.” Nasr recalls, as a child, arriving home from school each day and dining by herself, as the rest of her family had already eaten.

“I asked my family if someone would wait and eat with me,” she says. “In Lebanon, and in many other cultures too, the art of cooking for someone (and eating together) is such a way of delivering your love to them. So I really connected to this when I was studying Mukbang. It was a beautiful learning curve for me. And I hope for many others who watch ‘Clams Casino.’”

Filmmaker Pam Nasr. (Supplied)

The Q&A session that followed the Dubai screening was the longest she’s had so far (having toured several festivals in America with the movie). “A lot of people really connected to it and understood what I was doing.” In particular, Nasr was moved by an exchange with a young college student who told her that a friend in college had been going through a tough time and was watching a lot of mukbang.

“She was very tearful. She said that after watching my film, she understood her friend a lot more. My heart went out to her,” Nasr says. “There were a lot of intimate moments like that at the screening. It was really beautiful.”


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